Specification of the rebuilt organ, with changes noted
Existing pipework by J.W. Walker unless otherwise indicated.
PPO = Principal Pipe Organs (1995)
Manual compass 61 notes, pedal 32 notes
|Double Open Diap||16||New & additional|
|Open Diapason I||8||New, to replace existing|
|Open Diapason II||8||New, to replace existing|
|Principal||4||New, to replace existing|
|Twelfth||2 2/3||New & additional|
|Ffteenth||2||New, to replace existing|
|Mixture||IV||New, to replace Mixture III (PPO)|
|Trumpet||8||PPO to be re-voiced|
|Swell enclosed||New expression box|
|Bourdon||16||Current Gt Contra Gedackt, returning to original function|
|Viola da Gamba||8|
|Voix Celeste Ten C||8|
|Mixture||IV||New, to replace Mixture III & Sharp Mixture II (both PPO)|
|Choir enclosed||New expression box|
|Dulciana||8||Pipes of existing unit 16 & 8, now on main soundboard|
|Vox Angelica Ten C||8|
|Flute||4||Chimney flute of uncertain provenance|
|Nazard||2 2/3||New, to replace existing (PPO)|
|Piccolo||2||New, to replace Flageolet (PPO)|
|Tierce||1 3/5||New, to replace existing (PPO)|
|Acoustic Bass||32||Ext of Open Wood, lowest 12 quinted|
|Violone||16||New, transmission from Gt Double Open|
|Echo Bourdon||16||Transmission from Sw Bourdon|
|Dulciana||16||1-12 of existing Ch unit + 13-32 new|
|Principal||8||PPO to be re-voiced|
|Octave Wood||8||Ext of Open Wood, to be reconnected|
|Bass Flute||8||Ext of Bourdon|
|Fifteenth||4||Ext of Principal|
|Octave Flute||4||Ext of Bourdon/Bass Flute|
} Transmission and extension from Ch Tromba
Couplers & accessories
Octave, Sub-octave, Unison Off to Swell and Choir
Tremulants to Swell and Choir
Eight thumb pistons to each manual division
Eight toe pistons to Pedal and Swell
Eight General thumb pistons
Great & Pedal combinations coupled, Generals on Swell toe pistons
Multiple memory levels
Stepper to General pistons
Director of Music’s thoughts
Our priority in rebuilding the organ is to make it function well and dependably in the long term. New 61-note slider soundboards with inbuilt actions will replace both the failing electro-pneumatic manual soundboards and the expeditious assortment of off-note chests by which the manual compass was extended and some Choir upperwork added. New expression boxes for Swell and Choir will accommodate the slightly larger soundboards and will contribute, along with rationalised winding and compact modern electrics, to a more orderly and efficient layout with improved maintenance access. Everything else including the Pedal chests will be refurbished as necessary.
Tonally, the existing set-up is large and comprehensive with some splendid colours, but much of it lacks beauty, clarity and coherence. The most significant and exciting development is an all-new Great principal chorus, including a 16-foot Double Open Diapason which not only befits the organ and the building, but will be playable as a very welcome metal 16’ Pedal flue stop, and enables the current Great 16ft stop to be restored to its original and useful function of Swell Bourdon. Five ranks of Swell mixture-work over two stops will be replaced with a single stop of four new ranks, and the Choir upperwork will also be replaced with new. The Choir Dulciana rank, though useful in its current configuration as a 16’ and 8’ unit on Choir and Pedal, is to be rationalised for reasons of Choir box space and consistency of wind supply; the bulk of it becomes a ‘straight’ 8’ stop on the Choir main soundboard, while the 16’ octave forms the basis of an otherwise new, independent Pedal stop.
Just one sonority is being deleted altogether, to free up precious space, namely the independent but ineffectual Pedal Quint; in its stead an Acoustic Bass of nominal 32’ pitch will be derived from the Open Wood with a quinted bottom octave. At the same time an 8’ extension of the Open Wood, disconnected when the 8’ Principal arrived but never physically removed, is being re-instated for the sake of a few occasions when that timbre is the optimal one. The gentle but clear stop which is to become the Swell Bourdon will continue to be available as a Pedal stop in its new home, but the well-mannered and not very reedy Swell Contra Fagotto will not, being superseded in that role by what we are calling Violone – the Pedal derivation of the new Great 16’ Diapason.
A further and most pleasing benefit derives from the new Great chorus. The plethora of new pipes and the grandeur of the 16-foot Diapason are being exploited by the designer to replace the “temporary” 1953 façade with one that is aesthetically enhancing and fully conceals the innards of the organ. This will consist simply of the 49 largest Great pipes, cast in tin-rich alloy, polished, and arranged artistically, with variable lengths in the pipe ‘feet’ giving interest to the line of pipe mouths. No pipe decoration or casework as such was considered necessary.
A Cymbelstern, which will be audible rather than visible, will be created from six handbells acquired by our East London-based organ builder upon the closure in 2017 of the Whitechapel Bell Foundry.
Last but not least, the foot-operated part of the detached console will be rebuilt for ergonomic reasons, and an adjustable bench will be provided. The console also gains a new combination system with eight pistons on each division, a large number of memory levels and a stepper, plus a smart brass strip-light fitting.